“Once again, Nutcracker proves to be the gift that keeps on giving”

There are some things during the most wonderful time of the year that simply work – Christmas trees, fairy lights, carolling, and of course, Ballet and Tchaikovsky’s Nutcracker score.

The proof is the pudding – no less than three productions of this classic festive tale are on offer in London alone, throughout the end of year festive period. The English National Ballet’s Nutcracker has been in the company’s repertoire since 1950 with Wayne Ealing’s production premiering in 2010. 

The familiar Victorian setting of the initial ballroom scene is set with a huge Christmas tree at centre stage, whilst the dazzling Tchaikovsky score is played by the English National Ballet Philharmonic. The set design by the late Peter Farmer is cleverly used in this coming of age story – a stark contrast is made between the initial muted tones of Clara’s household and Christmas ballroom party in contrast to the vivacity, colour and energy of the set and costumes, once transformed into dreamland. Clara’s childhood into adulthood is presented enchantingly by Drosselmeyer interpreted charmingly by Fabian Reimair, turning the dial on the living room grandfather clock and the Christmas tree centrepiece growing, putting the enchanting Sangeun Lee into centre stage as adult Clara.

Once is a while a production may feel dated with a need for a refresh – whether that is through new elements, set design or plot twists – in this production this came in the form of dancing partners Sangeun Lee and Gareth Haw – ballet and artistry at it’s finest. Together with James Streeter’s energetic, powerful and amusing Mouse King, Clara and Nutcracker’s steady and highly emotional dance in the Land of Snow presented the standout performances in Act I.

Act II reminds the spectators that this production is a visual delight with the renowned land of Snow compositions played by the orchestra, conducted by Daniel Parkinson, gliding over the stunning setting of The Coliseum. A notable positive tweak to this production was the re-choreographed Arabian Dance, now beautifully interpreted by Claire Barrett, Minju Kang, Anna-Babette Winkler and Leila Wright. The athleticism and technique displayed by all dancers throughout the divertissements was truly splendid to witness. A particular highlight was the and powerful Erik Woolhouse doing justice to the iconic pirouettes characteristic to the Cossack section of the worldwide dances. It was also a surprising change to see Drosselmeyer’s character meandering in the background of each dance, serving as a poised admirer and spectator of his creations.

Sangeun Lee was once again in her element as the crescendo of the Pas de Deux commenced, with not only a remarkably elegant and delicate technique but a palpable warmth to her wonderment as Clara, whilst Gareth Haw also enhanced the performance enormously as a steady, affectionate and assured Nutcracker.

Once again, Nutcracker proves to be the gift that keeps on giving during the holiday season.