A Conversation With Award Winning Performance Artist And Filmmaker Vilma Jackson For THE CYCLE

Award-winning performance artist and filmmaker Vilma Jackson has written, produced and stars in a powerful short film which she hopes will influence change. The Cycle is a psychological drama-thriller combining real-life experiences and fiction, revealing the plight of a Black, Deaf woman who is let down by authorities and struggles to find help as she tries to escape abuse and rebuild her life.

In our interview, Vilma tells The Fan Carpet‘s Marc Jason Ali about being a storyteller, what got her into the industry and the future of Cinema in the wake of the popularity of streaming…

If we go back to the beginning, was there a defining moment for you to get into the Entertainment Industry?

There certainly was a moment that propelled me into the entertainment industry. It was when I first saw a behind-the-scenes documentary about movie making. As I saw those incredible stories unfold on screen, I realised that filmmaking is not just an art, but a powerful way to communicate and connect with others. I was fascinated by the intricate process, the collaboration of different talents, and how a simple idea could evolve into a captivating story. That experience lit a fire in me, and I knew right then that I wanted to be a part of this media industry.

What was it about THE CYCLE that made you want to tell this story?

What compelled me to tell the story of ‘The Cycle’ was the opportunity to raise awareness about a pressing issue that’s often hidden in plain sight – the plight of minority ethnic Deaf individuals facing domestic abuse.

This film goes beyond the surface to explore the nuances of seeking help and being understood in a world that’s not always equipped to listen. By bringing this narrative to the screen, my aim was to bridge the gap in awareness and empathy, offering a new perspective on the realities of domestic violence in marginalised communities.

So what does it mean for you to be a storyteller and tell stories in this way?

To me, storytelling is a powerful tool for change and art form that allows me to explore and reflect the complexities of life. It’s a responsibility I take seriously. Telling stories in this manner means I can delve into nuanced, often overlooked aspects of society, offering a platform for those narratives that are seldom heard. It’s about creating
a space where different voices and experiences can coexist, providing a more inclusive and holistic view of the world we live in. Through my films/projects, I aim to create a bridge of understanding and empathy, connecting audiences to experiences they may not have considered before.

What is your preferred genre, and do you have any favourite films?

Honestly, it’s a challenge to choose favourite films when there’s such an abundance of remarkable talent in directing and writing worldwide. My cinematic tastes are quite eclectic, particularly when it comes to international films, so it’s hard to focus on just a few. However, certain films have left an indelible mark on me, including ‘Get Out’ from the USA, ‘Behind Her Eyes’ from the UK, ‘Black Mirror’ from Canada/UK, ”Winter Sun” from Turkey and ‘The Invisible Guest’ from Spain, among others.

I find myself particularly drawn to genres that blend science fiction, psychological thrillers, dramas and philosophical themes with narratives stories. Films that combine creativity with impactful storytelling always grab my attention. I hold the view that cinema is a powerful medium for societal issues and fostering discussions that can lead to societal improvement.

Are there any other aspects of the Film Industry that you would like to pursue?

Currently, I am very content with my career as a performance artist, writer, and filmmaker. However, looking towards the future, there are several areas within the film industry I am interested in exploring. Cinematography, for instance, fascinates me with its ability to tell stories through visual artistry. Understanding the nuances of camera
work and lighting to enhance storytelling is something I find incredibly appealing.

With the popularity of streaming services like Netflix, Disney+ etc. what do you think the future of Cinema is?

The future of cinema, in my opinion, lies in its ability to offer something beyond what streaming services can. This could involve more than just watching a film, it’s about creating an event. Think of high-quality, immersive experiences like IMAX or 4DX or even more, where the audience is not just a viewer but a part of the movie itself.

Additionally, cinemas might focus on exclusive content, special screenings, and creating a community atmosphere that makes going to the movies a unique, memorable experience.

What are you hoping audiences take away from THE CYCLE when they see this important piece of Cinema?

For ‘The Cycle,’ my ambition is that it resonates deeply with its audience, going beyond the realm of typical cinema. My goal is for it to ignite discussions, enhance understanding, and broaden perspectives about the life of a Deaf person, especially within minority groups and through the specific challenges portrayed in the movie. This film is not
just a narrative, it’s a portal into lives that many may not comprehend.

I hope that those who see it feel a deep connection with the characters and gain insight into their complex and authentic struggles.

Where can we find you online to keep up with everything you’re doing?

They can follow me on Instagram at @vcrj90_productions and visit my website: Vilma Jackson Productions.