"“Brings a poignancy and humanism to something of a divisive issue...”"

Based on a collection of real-life anecdotes, and starring genuine refugees, Bruce Goodison's moving drama Leave to Remain explores a pertinent theme in a multicultural Britain, delving into the world of teenagers who are seeking asylum in the United Kingdom, bringing a poignancy and humanism to something of a divisive issue.

Toby Jones plays a compassionate teacher, who helps build a life for isolated, lonely youngsters who have gained refuge in Britain, as he cares for those arriving here from the likes of Afghanistan and Guinea. Though fearing for an imminent deportation back home, the close-knit community that consists of the likes of Omar (Noof Ousellam) and Zizidi (Yasmin Mwanza), welcome in the young Abdul (Zarrien Masieh), whose paranoia and evident trauma, speaks volumes for a group of people leaving behind a life best forgotten.

There is a meaningful message to Leave to Remain – of integrating these once disadvantaged adolescents into a more prosperous society, and a second chance in life can be provided, and within a safer environment, while Goodison also explores what they themselves can bring to Britain from a cultural perspective. Nonetheless, this avoids feeling like a political protest movie, or a plea to the government of any kind, as we do see these kids' flaws and imperfections, as some come with somewhat shady pasts. However this is what makes this picture work, because we see them merely as human beings, nothing more, nothing less.

Leave to Remain is also tense and suspenseful throughout, as given the narrative, our protagonists are forever on edge, constantly fearing the worst, expecting to be sent home any point. This sentiment and trepidation extends to the viewer, making for a rather disquieting piece of cinema. However this notion plays against a beautiful backdrop, as Britain is shown off for all of its natural beauty, which enhances the fact this country feels like the promised land for this selection of individuals. Meanwhile the performances are commendable, as Masieh stands out as the vulnerable youngster Abdul. Jones' experience and acting credentials prove dividend also, as she shows off such a sincere display of empathy and patience, which the role greatly requires.

Nonetheless, Leave to Remain is frustratingly slow-paced and grows increasingly tedious in the middle stages, lagging somewhat as reach the finale. That shouldn't stop someone sending a copy of this tape to the BNP headquarters, mind you, as this film provokes a perturbing sympathy, mixed with an inspiring sense of responsibility. So, what's this address then?