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About Us

Founded in 2004 in London, United Kingdom, The Fan Carpet is the red carpet for fans, we are dedicated to bridging the gap between the films and those who are a fan of that film and/or actor, actress, director etc., we have been growing steady for the past decade.

We have a growing Film Database, regular Competitions, the latest Film News and Reviews, a wide variety of Interviews – video, audio and written, a growing Fan Site Network and much, much more!

In 2004 we launched and started with The Fan Carpet: Fansites Network. It quickly became clear that we wanted to do more to promote films, so in 2006 The Fan Carpet: The RED Carpet For FANS was launched.

In 2019 we launched The Fan Carpet: Slate with the intention of creating short films (to be used as proof of concept for feature films), feature films

In 2022 we launched The Fan Carpet: Theatre Spotlight and The Fan Carpet: Arena that will cover Theatre and Music respectively, but TFC: Arena will also feature Pageants, Fashion Shows etc.

In 2023 we launched The Fan Carpet: International which takes us into America, under the leadership of Ellie Torrez!

The future is bright for The Fan Carpet, we know our trajectory, our full history is here, join us won’t you!

Welcome To The Fan Carpet

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TFC History

The Fan Carpet Ltd ● The Fan Carpet: The RED Carpet for FANS ● The Fan Carpet: Fansites Network ● The Fan Carpet: Slate ● The Fan Carpet: Theatre Spotlight ● The Fan Carpet: Arena ● The Fan Carpet: International are © The Fan Carpet Ltd. Company Number 06702770. ↑ Back to top

Reel2Reel Films Unveil the Trailer and Photo Set for Robin Bextor and Simon Hanning’s Theatre Hauntings: Dark Knights on Broadway!

Reel2Reel Films Unveil the Trailer and Photo Set for Robin Bextor’s Documentary Theatre Hauntings: West End Ghouls!

London Independent Film Festival Opens With Thomas J. Ward’s The (First) Last Screenplay and a Celebration Of Indie Cinema!

Lost on the Road(2026)

The (First) Last Screenplay(2026)

Digger(2026)

The Filmmakers Discuss Dementia, Perception, Performance And The Making Of The Festival’s Opening Film

Helen Oakleigh On Disability, Access And Why Representation Must Go Beyond The Wheelchair

Helen Oakleigh On Class, AI And Who Actually Gets The Chance To Make Films

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